Calling all Revolutionary War fans...

To commemorate their 75th Anniversary (2013), Saratoga Battlefield (AKA Saratoga National Historical Park) has put out a call for photographs of people working at &/or enjoying a visit to the park. You may have noticed this in the last couple of issues of the Greenwich Journal & Salem Press, but if not I'm here to let you know about it.

If you bring your photographs to the battlefield they will scan them & give you a copy of the CD. It is unclear in the article if the battlefield wants to keep the originals or they are simply keeping the scanned images. I have sent an e-mail to the battlefield about this & hope to hear back soon.



Park Ranger Tisha 1998



Many of you may not know that I worked at the battlefield. It was my 1st history related job right out of college in the summer of 1998. I was a seasonal Interpretive Park Ranger. I had the uniform & everything!

Tisha in colonial garb at the Schuyler House 1998

My mom made both of my colonial outfits. This is the fancy one.



Charles Martin painting the Schuyler House 1978



 After some analysis, it was discovered that the Schuyler House was yellow & green. Philip Schuyler rebuilt on the site of the brick house burnt by Burgoyne's retreating army in 1777. But in 1978 it was being painted white. Here my gramp, local painter & roofer Charles L. "Pepper" Martin, paints the house with some assistance from a four-year-old me & my three-year-old "little sistar" Heather.



Old Saratoga Historical Association 1969



 I love this shot. My grandma, Jacqueline A. Martin (nee Drew), is seated center. My mom, Tamaris A. Dolton (nee Martin), is standing 2nd from the right. My "big sistar", Emily Catherine Dolton, is the little girl on the left.

I highly encourage any of you to share images & stories of your visits to the battlefield. They will accept up to 20 images per family/individual.

Happy 75th Anniversary Saratoga National Historical Park!

Treasure Trove secure

Last week I asked my mom if she would be willing to come to work with me on my day off. Crazy, I know, but she agreed & we did.

My order of archival materials had arrived from Gaylord, much quicker than expected (Love it!). So, mom & I went to work placing the glass negatives in acid free envelopes, cataloging each one, then placing them upright in an archival box.

Our work station in the hall

Mom looking at one of the large dry glass plates

Folding the edges around the dry glass plate

Almost wrapped

Cataloged and secure in their new home

Now that the 52 dry glass plates are protected, I have to figure out where to store them.Hopefully there is room in the climate controlled vault. Once that is done, I need to find someone to make two sets of prints- one archival & one for research.

Treasure of dry glass plates

About five years ago, I came into work at the Town of Greenwich offices, expecting the typical slow pace. Maybe have an email or two waiting for me to answer. Maybe a phone call from someone in Ohio or California looking for an ancestor buried in one of the cemeteries. What I found was an amazing donation, just sitting on my cluttered desk. Fifty-two dry glass plates in four disintegrating boxes. Eight of the plates had been developed at some point, & were included.

After a year or so, I was finally able to take the plates to Michael Noonan, a local photographer who has a passion for history & traditional photographic techniques. Michael & I looked them over & decided on a few of the images based on composition and historical detail. He made up contact sheets of the 13 images we selected. Then time got away from me.

While I was getting ready for last weekend's "We Grow History" History Fair at Greenwich High School, I thought about those glass plates & decided to bring them with me. Another local photographer & re-enactor, Cliff Oliver, was there. When I told him what I had with me, his eyes lit up. When I told him I had gloves with me... he got very excited. Between Cliff, and Tim Tefft, an amazing walking encyclopedia of local history, they were able to let me know that many of these images were local. Yay!

Dry glass plates were invented by Richard Leach Maddox in 1871. They replaced the wet glass plates by about 1880 because they didn't have to be treated before exposure & photographers could wait to develop the photographs at a later time. Also, because the dry glass plates were mass produced the silver nitrates in the gelatin emulsion were more consistently distributed allowing for sharper images. They would be commonly used until about 1920. Because the emulsion in these plates is starting to break down chemically, the next step is to spend some of my small yearly budget on some glass negative boxes & four-flap negative enclosures. I finally get to order from the Gaylord catalog! http://www.gaylord.com/adblock.asp?abid=958&search_by=desc&search_for=mr-4f45&mpc=MR&catalog=&target=

Anybody know of a grant that would help me fund the developing of this treasure trove of 52 dry glass plates?